Combined with her mother’s suffering from influenza, this infidelity had a profound impact on Bourgeois, whose later work was fuelled by an open wound of betrayal. WHAT IS ARTIST ROOMS? Bourgeois found leaving everything she knew behind for a new life liberating, yet also deeply unsettling, writing, “I was in effect a runaway girl. Bourgeois made an additional photographic composition, “My Wounded Father,” for possible inclusion in “The Trauma of Abandonment.” See below in Related Works in the Catalogue. If Bourgeois had added that composition, the book would include 13 pages; she decided against it because the number 13 is considered bad luck. Elle a côtoyé les principaux mouvements artistiques, tout en préservant farouchement son indépendance d’esprit, et sa manière incroyablement inventive et troublante. When does the emotional become physical, it’s a circle going round and round.”, HERO DAILIES: Essential culture, curated daily, Louise Bourgeois, No 1 of 14 from the installation set “À L’Infini (To Infinity)” (2008), Louise Bourgeois, Destruction of the Father, 1974, Louise Bourgeois. As a young girl Bourgeois was extremely close to her mother, yet she despised her father for his controlling temper and ritual “humiliating” teasing at family events. Mit ihren vom Alter gekrümmten Fingern nähte sie den weißen Stoff mit großen Stichen zusammen, formte ihn zu einer textilen menschlichen Körperhülle. Spider (1997), an enormous arachnid stands over a steel mesh cage, which viewers were invited to enter, sit in and experience the matriarchal protection of the spider. The physical interaction with the materials has a curative effect. It was also around this time that Bourgeois immersed herself in psychoanalysis and the teachings of Freud in an attempt to exorcise traumatic early memories. Louise Bourgeois (1911–2010) Leben war stark geprägt von ihrem herrschsüchtigen, untreuen Vater und ihrer treu sorgenden Mutter. Over 30ft high, this a monumental spider was reproduced many times with versions dotted across the globe (including one outside Guggenheim Bilbao) and remains arguably her best-known work. Louise Bourgeois was born in Paris in 1911 and named after her father Louis, who had wanted a son. Throughout her 70 year career Louise Bourgeois made art as a catharsis, expressing her most intimate fears and anxieties. Louise Bourgeois Born in France in 1911, and working in America from 1938 until her death in 2010, Louise Bourgeois is recognized as one of the most important and influential artists of the twentieth century. She could alter or rearrange the trauma, but it was always fundamentally there, despite the fact that she eventually married, had children and spent her life staying true to her explosive creativi Nearly every piece she makes refers to some personal trauma or desire, many of them from her childhood experiences. Christopher Turner on a display of her work and recently unearthed writings about her analysis Louise Bourgeois, detail from Cell I, 1991 I admire the work of Louise Bourgeois. An encounter with one of their collaborative paintings taught Emily Steer that some of life’s biggest lessons can be felt through the body, not rationalised in the mind. That work opened the floodgates to Bourgeois mining the furthest depths of her consciousness. Femme Maison Series / Louise Bourgeois / 1946-47. When her beloved mother died in 1932 she was devastated and attempted suicide by throwing herself into a river, before being saved by her father. Louise Bourgeois was in therapy for more than 30 years and wrote an essay on 'Freud's Toys'. For over seven decades, Bourgeois’s creative process was fueled by an introspective reality, often rooted in cathartic re-visitations of early childhood trauma and frank examinations of female sexuality. "In an agony of impatience, she waited about indefinitely." Executed in 1984. One of the most unique and influential artists of the 20th century, her widely referenced work includes painting, printmaking and most famously sculpture. Known in Japan as ‘aizome’, indigo dye is so integrated into Japanese society that this deepest, entrancing shade is often referred to as “Japan blue.” Initially only reserved for the wealthiest members of…, Indigo dye is soaked deep into Africa, where some of the finest fabrics in the world have been made. Because the 95-year-old sculptor Louise Bourgeois puts herself at the heart of her work, any review of her retrospective at Tate Modern has to start with a summary of her life and career. She created sculptures in a wide range of media: unique environments,… Her place in art history was cemented when she became the first woman to be granted a solo exhibition at New York’s Museum of Modern Art in 1982. Believing that she should somehow take her deceased mother’s place in her father’s affections, Bourgeois acted out the classic Freudian dilemma in extremis. Louise Bourgeois with Spider IV / Photo by Peter Bellam / 1996 “I have been to hell and back, and let me tell you it was wonderful.” Throughout her 70 year career Louise Bourgeois made art as a catharsis, expressing her most intimate fears and anxieties. FEAR AND ANXIETIES 10 4. Her deeply autobiographical art often reflected on feelings of alienation and exclusion, both a French woman in America and a woman in a male-dominated industry. » Ou, plus précisément : « _Que s'est\-il passé ?_ »\. This manifested in virtually all Bourgeois’ work, but particularly Cells, a series she began making in the late 80s. I love that she works with the emotions in such a frank way. Bourgeois’ childhood traumas relate to her fear of abandonment, stemming from her mother's illness and death, her father’s infidelities and the horrors of the first world war. This exploration of the subconscious became an inseparable component of her work and provided a cathartic form of relief seen in her visceral, flesh-coloured, soft-sculpture Destruction of the Father, in which a family dinner table is overrun by blob-like children consuming their patriarch. FS Colour Series: Spice inspired by Peter Paul Rubens’ Blazing ... A Winter Sewing Project: Linen and Leather Curtains, The Fabric of Life: Textile Designers Through Time. At times they are erotic, at others melancholic, threatening or familiar domestic spaces that always reflect elements of Bourgeois’ life, like autobiographical microcosms. 1911) Untitled (With Foot No. Early Sculptures, Installation View / Louise Bourgeois, At the end of the decade Bourgeois began making her first sculptures on the roof of her New York apartment from found scraps of wood and metal. Exhibited. FRIENDSHIP 16 7. One theme of Bourgeois's work is that of childhood trauma and hidden emotion. The artist devoted large part of the life to overcome the trauma from the family life; her tyrannical father Louis Bourgeois and his affair with an English teacher hired for young Louise. It wasn’t until 1954, when Bourgeois joined the American Abstract Artists Group that her career really transformed. Louise Bourgeois: Fear, Trauma and Catharsis, Indigo in Japan: The Magical Wonders of ‘Aizome’, Art, Activism and Protest: The Arresting Imagery of Faith Ringgold. This manifested in virtually all Bourgeois’ work, but particularly Cells, a series she began making in the late 80s. Louise Joséphine Bourgeois (French: [lwiz buʁʒwa] (); 25 December 1911 – 31 May 2010) was a French-American artist. Louise Bourgeois Born in France in 1911, and working in America from 1938 until her death in 2010, Louise Bourgeois is recognized as one of the most important and influential artists of the twentieth century. Trauma. Louise Bourgeois se consacre à la sculpture depuis 1949. We've also sent you an email with this link for safekeeping. BODY PARTS 12 5. Mar 26, 2015 - MoMA | Louise Bourgeois: The Complete Prints & Books https://lesyeuxavides.com/.../24/robert-mapplethorpe-louise-bourgeois-1982 In a career spanning seventy years, she produced an intensely personal body of work that is as complex as it is diverse. Befriending the likes of Mark Rothko and Jackson Pollock, Bourgeois broke new ground as an artist, pushing the scale and material of her sculptures and becoming a leading figure in feminist art. Von Tim Ackermann . One of the most unique and influential artists of the 20th century, her widely referenced work includes painting, printmaking and most famously sculpture. The family also had a villa and workshop in the countryside where they spent their weekends restoring antique tapestries. This exploration of the subconscious became an inseparable component of her work and provided a cathartic form of relief seen in her visceral, flesh-coloured, soft-sculpture. Bourgeois considered her memories of her father leaving the family for the war as the beginning of her fear of abandonment. She enrolled at several art schools, including the École des Beaux-Arts in Paris, in addition to apprenticing in artists’ studios in Montparnasse and Montmartre. Upon moving to New York in 1938, Bourgeois focused primarily on sculpture, crafting biomorphic forms that curator Lucy Lippard has described as enacting the physicality of the body as experienced from within. Als sie diesen Traum hat, ist Louise Bourgeois einundfünfzig Jahre alt. There is a greater sense of calm in many of the artist’s final works on paper, such as 10 am is When you Come to Me, 2006, a tribute to her long term friendship with Gorovoy and I Give Everything Away, 2010, in which she seems to have surrendered and finally laid her personal demons to rest, inscribing in the last work of the series, “I am packing my bags.”. Louise Bourgeois’ Child Abuse—The Rise of Spider-Woman Before sensationally revealing the traumatic story of her childhood in her project Child Abuse in Artforum in 1982, few if anyone knew the secret of Louise Bourgeois ’ father’s affair with their teenage English governess. Die Message ist klar: Wir wollen nahbar, demokratisch sein. After Louise's mother became sick with influenza Louise's father began having affairs with other women, most notably with Sadie, Louise's English tutor. SPIRALS 14 6. Much later she revisited the physical transformations into motherhood through various red gouache paintings including The Birth, 2007. Regarded as a reluctant hero of feminist art, her pioneering work derived from lived experience as a woman, mother and daughter. 23.5.12. Louise Bourgeois made art as a means of survival and confronting fear. Louise Bourgeois was born in 1911 in Paris. Die Intention der Künstlerin . Most of the year, her family lived in the fashionable St. Germain in an apartment above the gallery where her parents sold their tapestries. During her teens, Bourgeois’ father began an affair with the family’s resident English governess, Sadie Gordon Richmond. Louise Bourgeois tirelessly, obsessively documented her 32 years of psychoanalysis. Calling herself a ‘girl’, even as an adult, was part of her attempt to reject of the shackles and constraints of domesticity. Louise Bourgeois On view beginning May 28, 2017 Major exhibition support is provided by Joan and Michael Salke. Cell (The Last Climb) / Louise Bourgeois / 2008 / Photo by Christopher Burke, Feature Image: Le Lit, Gros Édredon, Bleu / Louise Bourgeois / 1997, Chinese textiles have a rich, fascinating history that stretches back millennia, telling wondrous tales of their most ancient civilizations. Her home in New York has now become the Easton Foundation, dedicated to preserving her vital legacy for generations to come. The exquisite skills required to produce such high-quality fabrics has been passed down from one generation to the next for at least 700 years, making African indigo production one of the oldest industries in existence. This close relationship was in part due to her father’s ten-year affair with her live-in tutor, Sadie Gordon Richmond. In her youth she helped with the family business, making drawings of areas that needed to be repaired. Also in the department was Vaclav Vytlacil the Czech-American painter and former teacher to Willem de Kooning and Robert Rauschenberg, under whose esteemed tutelage Bourgeois continued her education in painting and printmaking. - Exzentriker, Wahnsinniger, Genie? Like so much of Bourgeois’ work, the spider represents femininity, the body and nurturing love while simultaneously speaking of her early trauma and the peace she found in excavating painful memories. From textured, hand-woven hemp and ramie to embroidered cotton and hand-dyed silk, the hard-won textile traditions of China have produced some of the most exquisite and desirable fabrics of all time. Because my best friend was my mother and she was deliberate, clever, patient, soothing, reasonable, dainty, subtle, indispensable, neat, and as useful as a spider.” Fabric, stitching and weaving also took on physical form in Bourgeois’ later work as she assembled both figurative and abstract works from her vast archive of collected household scraps, transforming the everyday into the mystical an otherworldly. Louise Bourgeois' Werk, das sich über einen Großteil des 20. Youth and Training. Whatever materials and processes Louise Bourgeois used to create her powerful artworks, the main force behind her art was to work through her troubled childhood memories. Jahrhunderts erstreckte, war stark von traumatischen Erlebnissen aus ihrer Kindheit beeinflusst. Louise Bourgeois made art as a means of survival and confronting fear. Bourgeois eventually settled in New York in 1938 where her new husband Robert Goldwater was an art professor at New York University. It was also around this time that Bourgeois immersed herself in psychoanalysis and the teachings of Freud in an attempt to exorcise traumatic early memories. Their title refers both to the idea of cells as living organisms and places of contemplative containment. Bourgeois gradually began exhibiting this new work in various group and solo shows, mostly showing drawings and paintings with expressive, autobiographical content, such as the blood red Natural History, 1944, a reference to female fertility. 10 of 12, from the illustrated book, The Trauma of Abandonment (Louise Bourgeois). Œuvre. Bourgeois's father, Louis, was an amateur photographer and Bourgeois had in her possession a group of photographs taken during World War I by him, or by his fellow soldiers, documenting their experiences. Bourgeois was deeply affected when she found out the affair and she felt abandoned by the father ever since. Dorment claims that Bourgeois’s work “gives [him] the creeps”, that her success is purely a result of her willingness to “chronicle in lurid detail” the childhood trauma of her father’s affair to a voyeuristic press and public, “obsessively picking at the Oedipal scab, keeping the wound open, savouring her hatred like some vintage wine she can roll around on her tongue”. Christopher Turner on a display of her work and recently unearthed writings about her analysis Louise Bourgeois / Robert Mapplethorpe / 1982, printed 1991. As a widow in her later years Bourgeois became a hugely respected and influential figure, both through regular teaching work and her frequent, notorious Sunday gatherings, which she called “Sunday Bloody Sundays”, where artists, students, writers and curators would flock to her home in Chelsea to have their work brutally critiqued by this queen-like figure, often leading to arguments and tears. This close relationship was in part due to her father’s ten-year affair with her live-in tutor, Sadie Gordon Richmond. Louise Bourgeois (1911–2010) was born in Paris to parents who ran a tapestry restoration workshop. When she began exhibiting again in the 1960s the work she revealed was an extension of her psychoanalysis, addressing many of the inner demons she continued to battle with through the depiction of tormented figures or broken forms. Louise was extremely watchful and aware of the situation. J Sign up for F|S morning newsletter that will help YOU with all YOUR sewing needs. Proudly powered by. , in which a family dinner table is overrun by blob-like children consuming their patriarch. Dabei nahm sie in einigen Bereichen eine Pionierrolle ein. La vision est soudain confrontée à un trauma : nous sommes saisis par l'urgence et l'intensité d'une présence qui tout à la fois ca[...] Louise Bourgeois, Three Horizontals - « Qu'est\-ce que c'est ? Early Life. She would smash things, destroy her work.”. French-American artist Louise Bourgeois was known for her large-scale installations and her use of unconventional materials in her work. Rising to prominence in the 1950s, she is widely recognised for her empowering female voice, documenting the conflicts of being an artist, mother and wife with brutal honesty, writing “An artist can show things that other people are terrified of expressing.” Her practice encompassed almost any material she could get her hands on, including sculpture, printmaking, drawing and hand-stitching, invested with a gritty, hand-made quality that connects with the human need for touch and intimacy. Née en 1911 à Paris, Louise Bourgeois quitte la France, où elle a suivi des études d’art, pour s’installer à New York en 1938. Bourgeois’ childhood traumas relate to her fear of abandonment, stemming from her mother's illness and death, her father’s infidelities and the horrors of the first world war. In the early 50s, she had begun receiving psychoanalysis treatment four times a week, this would continue for over 30 years and lead Bourgeois to immerse herself in the teachings of Freud. ARTIST ROOMS is a collection of international contemporary art, which has been created through one of the largest and most imaginative gifts of art … A series of solo shows in New York followed, while in 1951 the Museum of Modern Art bought her Sleeping Figure, 1951. Beginning her artistic practice in her native Paris, Louise Bourgeois was originally associated with Surrealism due to her integration of fantastic elements into her prints and sculptures. Louise Bourgeois tirelessly, obsessively documented her 32 years of psychoanalysis. I love that she works with the emotions in such a frank way. Louise Bourgeois and Tracey Emin Helped Me to Reconnect After an Abortion Both artists depict female pain in a visceral way, evoking deep and internalised traumas. Louise Bourgeois is widely considered to have been one of the most influential artists of the 20th century. When does the emotional become physical? For Bourgeois, they were an opportunity to give physical form to her emotions using fabric, clothes, representations of body fragments and furniture. Created as a series of 60 separate works that began in 1986, Cells are closed spaces and deeply personal installations that look somewhere between a film set and museum exhibit. Voir plus d'idées sur le thème louise bourgeois, art, artiste. Louise Bourgeois' Maman wiederum löst mit ihren langen und faserigen Beinen und ihrer hoch aufragenden Gestalt sicherlich einen der höheren Grade des Erhabenen aus. For over seven decades, Bourgeois’s creative process was fueled by an introspective reality, often rooted in cathartic re-visitations of early childhood trauma and frank examinations of female sexuality. Travaillant à l’écart de la scène artistique, elle présente peu d’expositions personnelles jusqu’à ce que ses sculptures connaissent une reconnaissance internationale dans les années 70. Louise Bourgeois' life was a prolific demonstration of utilizing the creation of art as a tool for processing one's inner emotionality and psychological landscape. Louise Bourgeois 04 1. 10 janv. Louise Bourgeois had a close relationship with her mother, before her mother’s death in 1932, when Louise was just 21. 2) signed with initials and dated 'LB 90' (on the base) pink marble 40 x 97 x 64 in. HOME 08 3. Bourgeois initially entered Sorbonne University to study mathematics, a subject whose immutable principles she claimed gave her much needed peace of mind. After her mother’s death however, Bourgeois abandoned mathematics to pursue art, earning her living by giving guided tours at the Louvre. “The cells represent different types of pain: the physical, the emotional and the psychological, and the mental and intellectual. Louise Bourgeois De Camille Guichard. In 1999 and approaching her 90th birthday, Bourgeois created Maman as part of her inaugural commission for Tate Modern’s Turbine Halls. Wie kaum ein anderer Künstler des 20. Louise Bourgeois (1911-2010) was a French artist known as the founder of Confessional Art. Louise Bourgeois (b. She never fully forgave him, harbouring deep seated rage, jealousy and a fear of abandonment which would play out in her art as an adult. Spider (Cell). Louise Bourgeois: Fear, Trauma and Catharsis. Although her initial art education at the Sorbonne was in painting, she quickly found her true medium in sculpture. Bourgeois was influenced by the distorted and subconscious language of Surrealism, but she rebelled against this male-dominant genre which often objectified women, as her friend and assistant Jerry Gorovoy points out, “She thought … that the Surrealists made women the object of their work, whereas she was trying to make women the subject.” Breaking apart from the mainstream didn’t come easy for Bourgeois however – it would take several decades before she achieved real recognition. Louise Bourgeois grew up in early 20th century Paris, working in her parents’ tapestry restoration business where she reanimated old heirlooms and the classical scenes they depicted. Befriending the likes of Mark Rothko and Jackson Pollock, Bourgeois broke new ground as an artist, pushing the scale and material of her sculptures and becoming a leading figure in feminist art. She then immigrated to New York in 1938, and continued her studies at the Art Students League. With three young children so close in age to care for Bourgeois struggled to sustain her art practice for the next few years, but by the mid-1940s various autobiographical works on paper appeared portraying a sense of claustrophobia as a woman is tightly contained within a tiny house. Louise Bourgeois a travaillé particulièrement sur les thèmes de l'universalité, des relations entre les êtres, de l'amour et de la frustration entre des amants ou les membres d'une même famille, ainsi que l'érotisme [7].. Les débuts : les « femmes maisons » C'est à New-York, dès les années 1940, que Louise Bourgeois commence sa carrière d'artiste [16]. On graduating Bourgeois set up a commercial gallery space selling Surrealist artist prints and paintings next to her father’s tapestry studio, which he chose to support given its commercial leanings. Louise Bourgeois had a close relationship with her mother, before her mother’s death in 1932, when Louise was just 21. These memories were not specific, but a layering of emotional responses to the complicated relationship she had with her parents and thei… In the early 1930s Bourgeois studied maths and philosophy at the Sorbonne for 2 years. But when the art critic and historian Robert Goldwater came in to buy several Picasso prints he and Bourgeois immediately hit it off, as she described, “In between talks about surrealism and the latest trends, we got married.” Together they moved to New York in 1938, just before the outbreak of the Second World War. Created as a series of 60 separate works that began in 1986, Brandon Flynn cover of The HERO Winter Annual 2017. I was a runaway girl who turned out alright.” This subject of loss, abandonment and transition recurred in various motifs throughout her career, including the early painting Runaway Girl, 1938 and later in the work Home for Runaway Girls, 1994, which was painted onto sandpaper, referencing the grit and determination of young girls that is so often undermined. Tall, abstract columns resembling giant clothes pegs or totem poles were described as “a recreation of people I missed … even though the shapes are abstract they represent people.” Against the odds she wrote of a burning, increasing necessity to make, particularly in three dimensions: “I need to make things. Anxiety plagued her as she developed agoraphobia and insomnia, sometimes staying awake for four nights in a row, by which point she had become hysterical and volatile. Though deeply personal, her frank, open language has a universal quality, explaining why she has become such a world renowned artist today. Louise Bourgeois was in therapy for more than 30 years and wrote an essay on 'Freud's Toys'. The spider, a recurring motif throughout her work, was referred to by Bourgeois as “An ode to my mother”, and reveals another layer of her references to motherhood. French-American artist Louise Bourgeois was known for her large-scale installations and her use of unconventional materials in her work. Bourgeois was also keen to start a family – with Goldwater she adopted a French boy in 1940 named Michel, before giving birth to two sons in the next two years, Jean-Louis and Alain. Louise Joséphine Bourgeois (French: [lwiz buʁʒwa] (); 25 December 1911 – 31 May 2010) was a French-American artist. Executed in 1990. Louise Bourgeois, “The Unexpected Virtue of Trauma” Post author: patiodesombras; Reading time: 4 mins read; Post published: 24/04/2018; Post category: All / Thoughts and stories; Header image: Hands of Louis Bourgeois, ph: Alex Van Gelder. Like Bourgeois, various Surrealist artists had relocated to New York after the outbreak of war, who were beginning to explore macho, bravado forms of expressionism. Her copious writings and recordings document a tumultuous journey through therapy and the fears she unearthed. Foto: Richie Chan / Shutterstock. She entered the Sorbonne to study mathematics in 1932 but turned to art the next year. The Museum of Modern Art (MoMA) is a place that fuels creativity and provides inspiration. In one of her earliest memories she recalls seeing “…whole trains filled with wounded men with their arms and legs gone.” After the end of the war the family set up home in Choisy-le-Roi, just outside Paris, where her parents set up a tapestry restoration business, often asking the young Bourgeois to help with stitching repairs and re-drawing sections of design. » « Que voyons\-nous ? Louise Bourgeois : I Have Been to Hell and Back: Amazon.fr: Müller-Westermann, Iris, Birnbaum, Daniel, Noring, Ann-Sofi, Lebrero Stals, José, Vuong, Léa: Livres Louise Bourgeois: Erinnerungen „materialisieren“ 2 Symbole und Objekte der Erinnerung: Maman, 1999: L.B. These room-sized installations offered a portal into the deepest recesses of her mind, filled with architectural salvage, found objects and memories from her childhood. CHILDHOOD TRAUMA 06 2. WRITINGS AND RECORDINGS 18 Summary 20 Find Out More 21 Glossary 22. FREE TUTORIALS, SEWING PATTERNS & HUGE SAVINGS ON FABRIC! Its extraordinary art collection includes modern and contemporary art such as Untitled, no. That work opened the floodgates to Bourgeois mining the furthest depths of her consciousness. Get the latest colors & weights as they come in, Save off 10% - 20% off the regular price when you buy big fabric rolls, © 1999 - 2020 Copyright. In one haunting excerpt she writes a list of endless worries, “I am afraid of silence / I am afraid of the dark / I am afraid to fall down / I am afraid of insomnia / I am afraid of emptiness…” while another reveals the pressures she felt from the relationships around her, “to be abandoned / to be criticised / to be attached / to be asked too much / used / to be refused…”, By 1955 the family had returned to New York, where Bourgeois was granted American citizenship, though still beset with grief she entered a period of relative seclusion for the next few years, rarely exhibiting her work. Searching for relief she began what would become a 30 year on-off period of psychoanalysis, often attending up to four times a week during difficult phases. Eine Hommage. Emerging from the darkness, she produced The Destruction of the Father, 1974, a searing Freudian analysis of her anger towards her father, in which she deconstructs his body into monstrous fragments laid across a bed, referencing the way he betrayed his wife in her own home. Indigo is a vital strand…, “The origin of taste, of fabric printing is India.” Georg Stark, contemporary textile artist With a name that means ‘the Indian’ or ‘from India’, the colour indigo is woven tightly into Indian history. During the early 1950s Bourgeois returned to Paris with her family for several years. Louise Bourgeois is widely considered to have been one of the most influential artists of the 20th century. (74.3 x 52.1 x 39.4 cm.) Lars Bohman, Stockholm Acquired from the above by the present owner . Though she switched to the study of art, her stubborn father refused to offer financial support, believing artists to be “wastrels”, but the canny young Bourgeois managed to arrange free tuition by taking up a role as a translator for American students. She married the American art historian Robert Goldwater in 1938 and immigrated to New York City, where she would live and work the rest of her life. Though their relationship had been fraught with difficulties, she was distraught when her father died in 1952, falling into a deep, inconsolable depression. Louise Bourgeois's Transparency Veröffentlicht am 02.06.2010 | Lesedauer: 5 Minuten . Mit einem weissen T-Shirt des japanischen Kleiderbrands Uniqlo (ein Sponsor) bekleidet, spricht sie vor Louise Bourgeois’ Käfig über ihr Trauma und die tiefe Symbolik ihrer Kunst. Place that fuels creativity and provides inspiration ihres künstlerischen Schaffens mit den unterschiedlichsten Materialien Techniken! 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